Saturday, July 3, 2010

Tips to Get Some Great Lighting For That Much Loved Piano

Many people who are lucky enough to own a superb instrument very often need some innovative lighting to brighten up the sheet music. Piano lamps are made for just such a purpose and their lovely designs seem to enhance the instrument no end. With a piano lamp the music is clearly visible and it adds a lovely ambience to the room as well.

Of course, many will love the traditional style light fixture that looks wonderful on an elegant and old instrument. But the newer sleeker designs also add something great in that they do not take the attention away from the instrument. Also, those with counter weight balances will put the light exactly where it is needed without getting in the way of the musician which is absolutely necessary.

There are even floor models which allow the light to fall from behind the player directly on to the sheet music without causing any shadow or distracting him while he is playing. Any player will comment on how important it is not to have their concentration interfered with particularly when undertaking a difficult piece. With this kind of illumination there can be no distraction and the room looks great at the same time.

Of course it is not always necessary to own an instrument to have one of these lights in a room. Some people like them for desks or niches around the room instead of using harsh overhead lights. Even children doing homework will concentrate better when their work is lit to perfection.

Some of the designs will certainly lend themselves to modern and sleek homes which have a futuristic look to them. Finished in a brass or silver color, some also have the bright white halogen bulbs which give a very clean looking light. These are also good for those involved with tapestry or cross stitching work where sight is very important. Some of the intricate designs involved take a lot of work so having the correct light on the work just makes life a little easier and more enjoyable for sure.

As for all accoutrements that are bought for the home, make sure the supplier lives up to their promises is of utmost importance. Many will guarantee their products for two years or so, with a warranty that the metal will not rust too. Even the shipping can be free in some instances so checking out what is available on the internet may get some savings on the whole deal.

Indeed, some people may choose a cheaper variety of light fitting, but they often come to regret it when things go wrong. Buying home produced goods at least gives one the opportunity to get any problems sorted out fast. Those lights that come in from abroad are often bought as job lots and have cheap materials in them. Since this item uses electricity it may be wiser to get home produced goods to ensure that any electrical rules and regulations are adhered to up to a satisfactory and safe level.

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Friday, July 2, 2010

How To Select a Lamp Shade

There are quite a few issues to consider when selecting a lamp shade. After 27 years of helping dealers, designers and retail customers match their lamps and shades these defining points which will allow you to answer this sometimes daunting question for yourself.

Beauty is not the only thing in the eye of the beholder. Individuals may already have preconceived ideas of the right size, shape, color, material, etc. for a particular lamp shade. Further, after one has looked upon and lived with a certain lamp and shade combination for years any deviation from that can very likely be perceived as "wrong". So, how can you be sure that a particular lamp shade is right or that it "goes" with the lamp? Keep three basic points foremost in your mind: portrayal style, shade size and shade vertical location.

PORTRAYAL STYLE: First and foremost, what do you wish to portray with the lamp? Look at your lamp and decide what style it is such as contemporary, traditional, antique, funky, etc. If you really cannot discern a specific style then you must decide what is the style or look that you wish to portray with this lamp. You will want the basic look or style of your lamp shade to compliment, not clash with the lamp style itself. You generally do not want a very ornate and detailed shade if you wish to portray the clean lines of a very contemporary lamp. Likewise, you do not want a clean cut Chinese coolee type shade for a lamp that you want to portray as a traditional style. Think in terms of like styles for the lamp and shade. This does not mean like colors, textures, size etc. but general style. Once you have decided the general lamp style that you wish to portray, then you can begin concentrating on other details.

SHADE SIZE: This characteristic of your lamp shade like all the others will of course be subjective and will vary with the observer. But there are some guidelines that will help you determine the boundaries within which you must consider. You are basically looking for a balance in lamp and shade sizes that will make the lamp look neither top heavy or bottom heavy when viewed from a distance of about 20 feet away.

There are four (4) measurements to consider when selecting a shade: top diameter (across), bottom diameter (across), side length (slope), and drop. The drop is the vertical distance the shade washer is from the top edge of the shade. Do not be too concerned with the drop. The drop and the harp size will determine the shade vertical location which we will cover later. You just need to be aware that different shades do have different drops. Small changes in the bottom diameter (1"-2") will have a dramatic effect on the look of your lamp. The same applies to the side length and top diameter. The numerous combinations of these various measurements can be mind boggling. Below are some specific guidelines that you can carry with you to the store when selecting a lamp shade.

Medium - small size traditional or antique style lamps that are 20" - 27" tall to the top of the shade will likely require shades about 9" - 11" side length and 16" - 19" bottom diameter.

Medium size traditional or antique style lamps that are 27" - 30" tall to the top of the shade will likely require shades about 11" - 13" side length and 16" - 19" bottom diameter.

Large size traditional or antique style lamps that are 30" - 36" tall to the top of the shade will likely require shades about 12" - 15" side length and 18" - 20" bottom diameter.

For each of the above examples, contemporary lamp shades will generally have larger bottom diameters and possibly side length as well. Larger diameter lamps require larger diameter shades and more slender lamps require smaller diameter shades.

Multiple socket lamps are a special consideration that should be addressed by an experienced lighting professional that you will find in most reputable lamp and lighting showrooms.

SHADE VERTICAL LOCATION: This characteristic of your lamp shade is fairly simple to judge. It is the vertical location of the bottom edge of your lamp shade. On a single socket lamp this will almost always be about 2" below the bottom of the socket assembly. To determine the correct vertical location, first look straight across the bottom edge of the lamp shade and visually line up the near edge of the shade with the far edge of the shade. This line should then intersect about 2" below the bottom of the socket assembly for most single socket lamps. The way that you adjust this vertical location of the lamp shade is with the HARP. This is the "U" shaped wire that attaches the lamp to the shade and it comes in different lengths from about 4" on up.

Shorter shades will require shorter harps and longer shades will require longer harps. Multiple socket lamps are a special consideration and I strongly recommend professional guidance for these instances, especially for safety concerns as well as aesthetic values.

SUMMARY: Use the above ideas as a general guideline and it should get you started in the right direction. For further assistance I strongly recommend a reputable lamp and lighting showroom as this type store will likely have knowledgeable experienced staff who are well equipped to help you with the many subtle intricacies of lamp shade selection.

- Jim Hoyle

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Thursday, July 1, 2010

Great Price BANANAFISH COC0183 for $19.99

Cocoa Lamp Review



This lamp is adorable. The print is so pretty and the whole set (bedding set, valances, lamp) looks precious in our little girl's room. It is feminine without being cliche or overdone. I love it!



Cocoa Lamp Feature


  • Body Material: Resin
  • Shade Material: Paper
  • Finish: Smooth
  • Number of Pieces: 1
  • Includes: Table Lamp
  • Lamp Color: Cream
  • Shade Color: Multi-Colored
  • Shade Shape: Bell
  • Shade Top Dimensions: Width: 5.0 "
  • Shade Bottom Dimensions: Width: 9.0 "
  • Shade Height: 11.0 "
  • Lamp Height: 14.0 "
  • Switch Type: Rotary
  • Maximum Light Bulb Wattage : 40 Watts



Cocoa Lamp Overview


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*** Product Information and Prices Stored: Jul 01, 2010 19:05:21

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Wednesday, June 30, 2010

Check Out PIANO/DESK LAMPS / Light

PIANO/DESK LAMPS / Light Review






PIANO/DESK LAMPS / Light Overview


CLICK ON PICTURE FOR MORE INFO BULB/T10 FROSTED-40 TO 60 WATTS/TWO BULBS


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*** Product Information and Prices Stored: Jun 30, 2010 20:10:11

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Antique Floor Lamps - World's Best Reading Lamps

First let us define ANTIQUE FLOOR LAMP. Of course a floor lamp normally rests upon the floor as opposed to resting upon a table, the wall or the ceiling. The general definition of an ANTIQUE means something from a bygone era. This places the term outside the legal arena and into common usage. "Era" is general perceived and is defined as a long indefinite time period which also works out perfectly for this general definition. This general definition works perfectly since any identification of an "Antique Floor Lamp" is fairly useless without some time period designation normally in the form of circa 1905 which literally means "about the year 1905". So I will use the term ANTIQUE FLOOR LAMP on this basis and often substitute it with the term VINTAGE FLOOR LAMP. This discussion does not address modern reproductions of antique lamps which is another subject to itself.

More and more people are learning to appreciate the quality and styling of antique floor lamps especially as most of the ones being produced today are molded plastic and literally made to be thrown away. Most all floor lamp makers from the turn of the century made their lamps from heavy metals such as cast iron, brass, steel and cast zinc sometimes combined with marble, onyx, glass and stone. Our lamp shop regularly restores these antique floor lamps for resale as well as for our customers' own use. From our 30 years of experience it is clear that many of these antique floor lamps will last for hundreds of years. The electrical components, the fabric shades and the painted finishes often need restoration but most were made with such fine quality, that they are a much better value than brand new high end lamps that sell for many hundreds of dollars. You will find some other surprises about these collectible works of art below.

High quality, beauty and function were powerful influences on the makers of antique floor lamps. Many people are aware of their outstanding quality and beauty but completely surprised about the highly developed functional and technical characteristics. There are far too many examples to list here but I will mention a couple of the more important ones.

The brightest lamp that you can purchase today in any store was designed and made circa 1920. It is also the most versatile lamp that you can buy anywhere. Further it will outlast most any modern lamp that you can find at any price. This antique floor lamp is known by a numerous names such as: 6 Way Floor Lamp, Reflector Floor Lamp, and "JUNIOR". The design begins with a heavy metal base sometimes highly decorated with an upright tubing leading up to a central electrical socket surrounded by 3 arm lights (4 lights total). The central light takes a 3 way bulb (low-medium-high) that is often a MOGUL size which is larger than a standard socket with higher wattage (100-200-300 watts). The three arm lights are controlled by a switch that can turn on separately just 1, 2 or all 3 of the arm lights. Further, many of these JUNIORS had a small light under the base which provided a very subtle night time floor light operated by a foot switch mounted on the side of the base. As if this were not enough, the central top socket is encased in a large metal cup which holds a white waffle patterned glass bowl that reflects light upward to bounce of the ceiling. A fabric or silk shade (also called JUNIOR shade) rests upon the glass reflector bowl to reflect light downward for reading. A single arm light can provide a simple night light or at it brightest setting, it can light up an entire room. There is no brighter lamp or more versatile lamp available anywhere today and it was designed and made nearly 100 years ago!

One of the best reading lamps in the world was also designed circa 1920. It has been highly imitated but it still remains unchallenged. The Bridge Arm Floor Lamp or Bridge Lamp has a typical floor lamp design with metal base and upright standard which can take the form of various types of decorated tubing, twisted iron rods, etc. At the top of the standard is a decorative cast metal arm with a graceful arc or curvature which ends with an electrical socket pointing downward and covered by a fabric or glass shade. This has the effect of offsetting the light by about 14-18" from the upright standard at the same time lowering it so that it is closer to the reading material or work project. The result is an excellent reading lamp or work lamp which places the light bulb very near the task at hand. Many of these Bridge Arm Floor Lamps have convenient pull chains which hang below the bottom of the lamp shade for ease of operation.

Of course there are many other kinds of antique floor lamps such as torchiere, two light, curved arm, swing arm, etc. Even the oldest and most dilapidated of these well built heirlooms can be brought back to life with some scrubbing, sanding, painting, rewiring and sometimes soldering or welding.

If you want to buy a lamp that you can give to your grand kids, consider buying an antique floor lamp.

- Jim Hoyle

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Tuesday, June 29, 2010

The Best Debut Album of 2009

With the year of music officially behind us, I'd like to take a few moments to recognize the best musical debuts of 2009. There were many successful artists in a number of different genres, and the breakthroughs they made gave us hope for a bright future filled with some exciting music.

Here are three of the best music debuts of 2009.

The XX came out with their self titled album and their sound is familiar and unique all at once. The chilled out beats complement the lo-fi guitar and male/female vocals that make this album cool and relaxing. Take a listen to it if you've never heard this, and you'll be pleasantly surprised.

Another great debut CD during 2009 was Mumford and Sons' Sigh No More. This band hails from London, but you'd never know it after hearing their sound. They can be best described as an indie rock band with an infusion of bluegrass. One comparison I've heard them draw is to that of the Dave Matthews Band. With vocals resembling the legendary singer and some similar instrumentation, it comes as no surprise.

One last debut CD worth mentioning that was released in 2009 is Actor by St. Vincent. This female led group brings us some of the most beautiful vocals we've heard all year, and many are in agreement with this belief.

The above albums are just a few of the many great debuts we saw during the year. As social media and other forms of technology allow music to spread more rapidly, there's no doubt in my mind that 2010 will bring us just as many promising musical debuts, if not more.

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Monday, June 28, 2010